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Showing posts with label Design. Show all posts
Showing posts with label Design. Show all posts

Sunday, 21 January 2018

Celebrating Centennial Celebrations

Frank Leslie's 
Illustrated Historical Register 
of the 
Centennial Exposition 1876

(facsimile edition 1974)




Funny I should choose to look at this book right now. The movie "The Greatest Showman" has just come out. I've been to see it a couple of times—rare for me, because it's so damned expensive at the cinema and I have a nice TV. 

"The Greatest Showman" is a musical about P.T. Barnum. It touches on details of his life, makes a few things up for dramatic purposes and gets us all to fall in love with the wonder of the circus again. One of the things I noticed in the film were the many companies Barnum started, and (of course) the principal means of promoting those, which was at that time detailed illustration and bombastic font.


Frank Leslie was a man by another name entirely (Henry Carter) who loved art. He was born to a wealthy glove family (can't make this stuff up) who defied his father, moved to New York in 1848, followed his heart and went into illustration.

Where he couldn't get a job. So he formed his own illustration company. And that led him to P.T. Barnum, who always had need of large and lavish advertisement. Leslie worked for Barnum on a lot of ad and graphic design needs for Barnum's pursuits, most notably the Jenny Lind tour(s). They even started a newspaper together. That newspaper failed, but Leslie then started his own and found some success. 

This is a big book. 11 inches across, 16 inches high and an inch thick. When I first saw it among my aunt's books, I thought it was a department store catalogue. I suppose in a manner of speaking it is a catalogue, just not of things you order. 

So, how many illustrations are in the book? I don't know. One source claimed over 330 Illustrations another said over 800. I'm not counting them. There are a lot and most are quite beautifully done, even if a few are a little discomforting for my modern eyes (in context, the exploitation and casual racism that's abundant in all such books is part of the fabric of society). 

I haven't read this book closely enough to understand how it was pursued. Surely Leslie himself didn't draw all of it. It was put together for the opening of an expo. There would have been a lot going on at once. And considering how many illustrations are in here of President Grant going to and fro in the Expo, opening this, that or some other exhibit, Leslie would have been crippled trying to keep his pencil going fast enough. 

My aunt, true to the ways of the Wards, took the wrap off the book and saved it inside. While I don't press anything into my books (see an earlier post where I rant about that), I do save damned near everything, and would have kept the wrap, as well—actually "also" since I doubt it would be as well kept. However problematic the wrapper is for the book, the book is a pretty darn good keeper for the wrap.

I've bought several facsimiles for my library. Trying to think of which, now, I can recall at least two botany books, Gray's Anatomy (which I also own the updated edition of), some art books and this fella. Taschen, a publisher of reproduced art books—and let's admit right here, they're mostly on the erotic side—has put out some good reproductions of botanical illustrated books. Illustrations of plants often catch my eye far more than photographs. I adore older botany books, and have many, but when I spotted a Taschen reproduction, I snarfed it up without question. 


I don't think my first facsimile was the Gray's Anatomy or any of the Taschen books. If I recall, it was a medieval book. I'll have to search that out. 

Monday, 3 July 2017

I Wonder!




Marian Bantjes is a Canadian Graphic Designer. Actually, she now calls herself a Graphic Artist, having moved on, she says from the creatively limiting sphere of Graphic Design to something that allows her to put more of herself—her ego—into whatever she makes for clients.

In this way, she’s a lot like Irma Boom, another favourite designer of books. 

I Wonder is a beautiful book inside and out. It’s hardcover. The black silk is embossed with gold—and the page edges are gilded. The beautifully lettered title is embossed silver. Every page is gorgeous and rich in its visuals and the various essays and ponderings (mostly blog posts, apparently) are thoughtful and thought provoking.


I learned about this book during my time at NBCCD, studying Graphic Design. It was brought up as an example of successful Canadian designers, or typographical art, or maybe the use of patterns. I can’t remember if my instructor owned a copy that he showed to the class, or if he showed us slides. What happened was that I immediately went out and ordered the book. There was pretty much no way to live without it.

Bantjes’ work is detailed—really detailed, and that’s part of what attracts me to it. The pages are loaded with things to look at all around the text. The patterns she makes are intricate and tight. They don’t just vary, they vary hugely from one end of the book to the other—from one page to the other. And she leaves no page untouched by design.



Never mind reading it (although it is interesting) this book is amazing just to flip through looking at pictures. It’s even good to just hold, with its lovely cover and comforting weight in the hand.

Bantjes waxes poetic on I Wonder here:
http://bantjes.com/work/i-wonder/

She calls it her masterpiece. I guess that may be, but I’m rather hoping she’ll make another stab at striking wonder.



A little note about my copy:

I notice that my copy of this book has a break in her cover pattern at the bottom of the front cover where “The Monacelli Press” name appears (scroll up to the top photo to see it). Interesting.